Here they are - Coral Bleach and The Coal Heads - at Parliament station standing up for BUMS, ahem, YOUR rightful rights and entitlements on the eve of Australia's Federal Election 2022! Making sure that peeps don't be fooled by other peeps' FAKE NEWS*!...
COP26 Bridge to Zero Emissions Performance
Sunday, 31st October 2021, from 7pm to sunset in Melbourne (from 8am Glasgow, UK time)
A performed installation of newly created music to send a powerful message to United Nations delegates as they arrived for Day 1 of COP26 climate negotiations.
As dusk fell, seven Climate Guardians performed on Melbourne’s iconic Princes Bridge; one Angel for each of the Earth’s continents. Joining as Angels, composers/musicians Susan Bamford Caleo and Elissa Goodrich performed their specially created music arranged for Federation Handbells.
A Deadly Gas Grab
To mark World Environment Day 2021, we're challenging one of Australia's most polluting proposals - BHP & Woodside's Scarborough LNG project. Seriously dodgy carbon accounting practices are enabling fossil fuel companies to exempt emissions from projects that they...
Climate Guardians Visit Westernport’s Crib Point, Threatened by AGL’s Gas Import Project
Image courtesy of Julian Meehan As reported in The Mornington Peninsula News, Climate Guardians proudly joined concerned local citizens from Save Westernport at Crib Point’s Woolley’s Beach on Monday 22 February. Our visit was strategically timed to coincide with the...
Facts vs Falsehoods and other news
As challenging as well as deeply unfairly felt as lockdowns have been, COVID-19’s capacity to expose democracy’s diseases has been exceptional. At least it seems that a lot more people are seriously considering what the point is of: • leaders who wilfully ignore...
BUMS Stand Up for AGL!
What follows is BUMS official submission to this heinous Victorian Government Inquiry: 24 August 2020 Crib Point Inquiry and Advisory Committee Planning Panels Victoria SUBMISSION: Crib Point gas import jetty and gas pipeline project Dear Sir/Madam, This Inquiry is...
COALvid-19: “Hellscape” for Carbon Barons
In this leaked email from Coal Digger Coral Bleach to ScoMo, Aussie billionaire fossil fuel doyens plead for further massive public handouts. Dearly Devoted ScoMo, We can't thank you and your fossil fuel friendly office enough for entrusting us with Australia's...
Urgent Message to COP25 Delegates: Time for Cooperative Agreements
As United Nations delegates were arriving for Day 1 of COP25 climate negotiations in Madrid, 624 pairs of hand cast clay skins from Bridget Nicholson’s Touch This Earth Lightly project lay in tight neat rows on the banks of the Yarra River opposite Federation Square...
BHP: Evolve Your Purpose
Dear Mr Henry, Congratulations on your new role as BHP's CEO. We feel encouraged by reports suggesting that you intend continuing BHP's progress in response to fast evolving community expectations that companies take responsibility for their impacts on communities and...
Here To Win Not Fight: IMARC Blockade for Climate Justice
Climate Guardians are immensely proud to have joined hundreds of courageous people from all walks of life—teachers, musicians, traditional custodians, doctors, writers, artists, labourers, nurses, academics and so on—at the recent IMARC (International Mining and...
Do you think it’s reasonable for people with long histories of influencing public policies in order to prop up the profits of highly destructive industries to hold prestigious positions on boards and special committees of our nation’s proudest cultural institutions?
For instance, the NGV Foundation’s President is Hugh Morgan, a staunch neoliberal credited with having “profound influence” on Australian policy debates. As a key member of the self-titled Greenhouse Mafia, Morgan has reportedly been instrumental in preventing Australian laws to help limit greenhouse gas pollution. Morgan is also recognised for the leading role he has played in the establishment of a number of hard right wing so-called ‘think tanks’ including the Lavoisier Group whose extreme stance on climate change resembles what public intellectual Clive Hamilton refers to in his acclaimed book Scorcher: The Dirty Politics of Climate Change as “a strange mixture of conspiracy and apocalypse”.
Extractive and exploitative practices are the antithesis of creative and advancing.
Making short-term profits from activities that pollute, poison and destroy the natural world and the fabric of society is wrong.
While the roughly 2000 billion tonnes of human induced CO2 belched into the Earth’s atmosphere (since circa 1850) may be invisible, plastic is not. Our oceans and rivers and landscapes are clearly not filling up with toxic petrochemical waste all by themselves. You may already have seen shocking images of a young sperm whale that washed up on a beach in Spain, having died from nearly 30 kilograms of rubbish that blocked its digestive system.
“Around 99% of the feedstock for plastics is fossil fuels, so we are looking at the same companies, like Exxon and Shell, that have helped create the climate crisis. There is a deep and pervasive relationship between oil and gas companies and plastics.”
Carroll Muffett, President, US Center for International Environmental Law
According to recent reports, fossil fuel companies have invested $180bn in petrochemical plants (since 2010), while the amount of plastic produced in a year approximates the entire weight of humanity. It is as illogical as it is disgusting that these companies are paying nothing towards managing the devastating health and environmental impacts of their toxic industry. Just as they have aggressively stymied renewable energy alternatives to polluting fossil fuels, they are aggressively standing in the way of viable, entirely natural solutions to packaging problems.
The blind embrace of neoliberal policies that place profits above all else (and starve our vital independent cultural institutions of funding) has led those institutions—critical crucibles in a healthy democracy—to form alliances and host board members from the very industries they exist to critique. Rather than using its phenomenal wealth for the benefit of All, the ‘Big End of Town’ perversely uses the public sphere to bolster its contention that it has a social licence while further enriching its own at the expense of the many, and our global commons. Those making these choices are threatening our democracies in order to continue profiting from dangerously degrading our world.
Creative cultural centres deserve visionary and collaborative leaders. People who help enable the pollution and destruction of the natural world have no place in prestigious positions on the Boards of proud Australian institutions.
While we applaud the NGV for relatively exciting, dynamic and important exhibitions—such as Melbourne Now and the NGV Triennial which feature work exploring critical global 21st century issues—we also think that it’s high time the likes of Morgan Must Go* from long-held, prestigious positions at the NGV, and the public sphere generally.
With thanks to all of our hardworking Angels in and out of costumes, and for many of which this occasion was their first experience of Direct Action.
*to coin a phrase from the successful, artist driven #WilsonMustGo campaign that led the NGV to terminate its relationship with Wilson Security over the company’s record of human rights abuses in Australian refugee detention centres on Nauru and Manus Island.